7.1: Organizing Your Ideas
7.1.1: Topic Sentences
Separating your main points into different paragraphs allows the reader to feel the cumulative effects of the mounting evidence for your claim.
Learning Objective
Choose the best topic sentence to begin a paragraph
Key Points
- Introduce each paragraph with a topic sentence that tells your audience what you will argue in that paragraph. By providing readers with expectations at the beginning of the paragraph, you help them understand and keep track of the overall structure of your argument.
- Each topic sentence should make a distinct point in support of your thesis statement.
- A paragraph should make only one claim and should contain all the necessary evidence for that claim. This is key to making an argument flow smoothly and thus persuading the reader to understand your point.
- Evidence and examples are best used as support within a paragraph rather than as a topic sentence.
Key Terms
- thesis statement
-
Often found at the end of the first paragraph of an essay or similar document, it summarizes the main points and arguments of the author.
- paragraph
-
A passage in a text about a subject that is different from that of the preceding text, marked by commencing on a new line, with the first line sometimes being indented.
- claim
-
A new statement of truth made about something, usually when the statement has yet to be verified.
- topic sentence
-
A statement of the main idea of the paragraph in which it occurs.
When you created the outline, you wrote a thesis statement and then all the claims you are using to support it. You then organized your research, finding the evidence to support each claim. You’ll be very grateful to have done that sorting now that you’re ready to write paragraphs. Each of these claims will become a topic sentence, and that sentence, along with the evidence supporting it, will become a paragraph in the body of the paper.
Paragraph Structure
Each paragraph is a self-contained portion of your argument. Each paragraph will begin by making a claim (the topic sentence) that connects back to the thesis. The body of the paragraph will present the evidence, reasoning, and conclusions that pertain to that claim. Usually, paragraphs will end by connecting their claim to the larger argument or by setting up the claim that the next paragraph will contain.
- Topic sentence: summarizes the main idea of the paragraph; presents a claim that supports your thesis.
- Supporting sentences: provide examples, details, and explanations that support the topic sentence (and claim).
- Concluding sentence: gives the paragraph closure by relating the claim back to the topic sentence and thesis statement.
Paragraphs should be used to develop one idea at a time. If you have a lot of ideas and claims to address, you may be tempted to combine related claims into the same paragraph. Don’t do it! Combining different points in the same paragraph will divide your reader’s attention and dilute your argument. If you have too many claims, choose the strongest ones to expand into paragraphs, or research the counterarguments to see which of your claims speak most powerfully to those.
By dedicating each paragraph to only one part of your argument, you will give the reader time to fully evaluate and understand each claim before going on to the next one. Think of paragraphs as ways of guiding your reader’s attention—by giving them a single topic, you force them to focus on it. When you direct their focus, they will have a much easier time following your argument.
Creating Topic Sentences
Every paragraph of your argument should begin with a topic sentence that tells the reader what the paragraph will address—that is, what that paragraph’s claim is. By providing the reader with expectations at the start of the paragraph, you help him or her understand where you are going and how the paragraph fits in with the overall structure of your argument. Topic sentences should always connect back to and support your thesis statement.
Things to Avoid Doing in Your Topic Sentence
Referring to the Paper or Paragraph Itself
You needn’t say directly, “This paragraph is about …” You don’t want your reader reminded that he or she is reading a paper. The focus should be on the argument. This kind of announcement is like riding with training wheels in the Tour de France. You don’t really need this crutch, and seeing it in a paper can be somewhat startling to the reader, who’s expecting a professional presentation.
Offering Evidence or an Example
“On one occasion, another EMT and I were held at gunpoint.” Stick with your claim in your topic sentence, and let the rest of the paragraph address the evidence and offer examples. Keep it clear by stating the topic and the main idea. “Twenty-first century emergency-services personnel face an ever-increasing number of security challenges compared to those working fifty to a hundred years ago.”
Not Being Specific Enough
“Cooking is difficult.” The topic may relate to your thesis statement, but you’ll need to be more specific here. For whom is cooking difficult, and why? “While there are food pantries in place in some low-income areas, many recipients of these goods have neither the time nor the resources to make nutritionally sound meals from what they receive.” (Stylistically speaking, if you wanted to include “Cooking is difficult,” you could make it the first sentence, followed by the topic sentence. It just shouldn’t be the topic sentence.)
Papers
Well-structured paragraphs make your paper easier to understand and more enjoyable for your readers.
7.2: Connecting Your Ideas
7.2.1: Transitions, Signal Phrases, and Pointing Words
Transitions connect your ideas and make it easier for your readers to follow your thought process.
Learning Objective
Identify situations where transition words are needed
Key Points
- The first step in writing a clear paper is creating separate paragraphs for each idea that supports the paper’s main thesis.
- Transitions can make connections between different paragraphs or between sentences within the same paragraph.
- Pointing words connect the content from one part of the paper and relate it to another part.
- A signal phrase alerts the reader that the writer is about to cite evidence from an outside source.
Key Terms
- signal phrases
-
A sentence or phrase alerting the reader that the upcoming information is not the writer’s but is from an outside source.
- pointing words
-
A term, such as “this” or “that,” referring back something or someone mentioned earlier in the text.
- transition
-
A word or phrase connecting one part of a discourse to another.
In expository writing, each paragraph should articulate a single main idea that relates directly to the thesis statement. This construction creates a feeling of unity, making the paper feel cohesive and purposeful. Connections between ideas—both between sentences and between paragraphs—should enhance that sense of cohesion.
Following the parts of a poorly constructed argument can feel like climbing a rickety ladder. Transition words and phrases support the rungs and rails, smoothing the journey of reading your paper so it feels more like climbing a wide, comfortable staircase. Remember, though, that transitions are more than just words and phrases; if you’re having trouble coming up with transitions between paragraphs, revisit your essay’s overall structure to make sure your ideas themselves are arranged in a logical order, with no repetitions or missing steps.
Why Use Transitions?
Using transitions will make your writing easier to understand by providing connections between paragraphs or between sentences within a paragraph. A transition can be a word, phrase, or sentence—in longer works, they can even be a whole paragraph. The goal of a transition is to clarify for your readers exactly how your ideas are connected.
Transitions refer to both the preceding and ensuing sentence, paragraph, or section of a written work. They remind your readers of what they just read, and tell them what will come next. By doing so, transitions help your writing feel like a unified whole.
Transitions Between Paragraphs
In Topic Sentences
Using transitions in your topic sentences can explain to the reader how one paragraph relates to the previous one. Consider this set of topic sentences from a paper about metrical variation in the poem “Caliban Upon Setebos”:
- Paragraph one: “Browning begins the poem by establishing a correspondence between metrical variation and subversive language.”
- Paragraph two: “Once Caliban begins his exploration of the nature of Setebos, though, the pattern established earlier in the poem begins to break down.”
- Paragraph three: “Browning further subverts the metrical conventions established in the opening stanza by … switching to iambic pentameter when acknowledging that unmotivated events can and do occur.”
The transitions help the reader understand how the argument is progressing throughout the paper, beginning with the poem’s basic meter, then explaining different ways in which the pattern shifts. The word “though” in the second topic sentence lets the reader know that the pattern explained in the first paragraph is going to change in the second paragraph. The use of “further” in the third topic sentence alerts the reader that the pattern is shifting again in the third paragraph. These simple words are the handrail for the steps the reader is climbing.
In Concluding Sentences
A paragraph’s concluding sentence also offers an excellent opportunity to begin the transition to the next paragraph—to wrap up one idea and hint at the next.
You can use a question to signal a shift:
It’s clear, then, that the band’s biggest selling original compositions were written early in their career, but what do we know about their later works?
Alternatively, you could conclude by comparing the idea in the current paragraph with the idea in the next:
While the Democratic Republic of Congo is rich in natural resources, it has led a troubled political existence.
An “if–then” structure is a common transition technique in concluding sentences:
If we are decided that climate change is now unavoidable, then steps must be taken to avert complete disaster.
Here, you’re relying on the point you’ve just proven in this paragraph to serve as a springboard for the next paragraph’s main idea.
Transitions Within Paragraphs
Transitions within a paragraph help readers to anticipate what is coming before they read it. Within paragraphs, transitions tend to be single words or short phrases. Words like while, however, nevertheless, but, and similarly, as well as phrases like on the other hand and for example, can serve as transitions between sentences and ideas. See the “List of Common Transitional Devices” below for more examples.
Pointing Words
Pointing words let you refer back to complex ideas concisely. Also called “hooks,” these words scoop up the information just offered and link it to other information in the paper. Let’s look at an example:
There is nothing overtly deviant about the poem’s formal elements. But upon close examination, those intricacies of form are even more suggestive of a problem in the island hierarchy than is the content of Caliban’s speech.
This is a concluding sentence, and the word “those” refers to the writer’s argument laid out in the previous paragraphs. If the writer had instead written “the intricacies,” we readers might not know to mentally link the previous argument with this statement. Using the word “those” is a gesture to include all the references to form that went before this paragraph.
Can you see how the pointing words (this, that, these, those) in the following examples serve to link one idea to the next, or to the main idea of the paper?
- “For those reasons …”
- “This suggestion is further buoyed by …”
- “These facts clearly point to …”
- “That kind of reasoning only makes sense if …”
Signal Phrases
Also within paragraphs, signal phrases alert the reader that he or she is about to read referenced material, such as a quotation, a summation of a study, or statistics verifying a claim. Ideally, your signal phrases will connect the idea of the paragraph to the information from the outside source.
- “Jennifer Aaker of the Global Business School at Stanford University writes, in support of this idea, that …”
- “In fact, the United Nations Environmental Program found that …”
- “However, ‘Recycling programs,’ the Northern California Recycling Association retorts …”
- “As graph 3.2 illustrates, we can by no means be certain of the outcome.”
Such phrases prepare the reader to receive information from an authoritative source and subconsciously signal the reader to process what follows as evidence in support of the point being made.
Here are some common signal-phrase verbs: acknowledges, adds, admits, argues, asserts, believes, claims, confirms, contends, declares, denies, disputes, emphasizes, grants, implies, insists, notes, observes, points out, reasons, refutes, rejects, reports, responds, suggests, thinks, writes.
Transition Paragraphs
In longer works, you might need an entire paragraph to connect the ideas presented in two separate sections. The purpose of a transitional paragraph is to summarize the information in the previous paragraph, and to tell your reader how it is related to the information in the next paragraph. Transition paragraphs are good places to review where you have been and how it relates to the next step of your argument.
Appropriate Use of Transition Words and Phrases
Before using a particular transitional word or phrase, be sure you completely understand its meaning and usage. For example, if you use a word or phrase that indicates addition (“moreover,” “in addition,” “further”), you must actually be introducing a new idea or piece of evidence. A common mistake with transitions is using such a word without actually adding an idea to the discussion. That confuses readers and puts them back on rickety footing, wondering if they missed something.
Whenever possible, stick with transition words that actually have meaning and purpose. Overusing transition words, or using them as filler, is distracting to the reader. “It is further concluded that,” for example, sounds unnatural and a little grandiose because of the passive voice. “Also,” or “Furthermore” would be clearer choices, less likely to make the reader’s eyes roll.
With that said, here are some examples of transitional devices that might be useful once you’ve verified their appropriateness:
To indicate addition: and, again, and then, besides, equally important, finally, further, furthermore, nor, too, next, lastly, what’s more, moreover, in addition, still, first (second, etc.).
“Strength of idea is indeed a factor in entrepreneurial success, but equally important is economic viability.”
To indicate comparison: whereas, but, yet, on the other hand, however, nevertheless, on the contrary, by comparison, where, compared to, up against, balanced against, although, conversely, in contrast, although this may be true, likewise, while, whilst, although, even though, on the one hand, on the other hand, in contrast, in comparison with, but, yet, alternatively, the former, the latter, respectively, all the same.
“In contrast to what we now consider his pedantic prose, his poetry seemed set free to express what lies in every human heart.”
To indicate a logical connection: because, for, since, for the same reason, obviously, evidently, furthermore, moreover, besides, indeed, in fact, in addition, in any case, that is.
“The Buddha sat under the bodhi tree for the same reason Jesus meditated in the desert: to vanquish temptation once and for all.”
To show exception: yet, still, however, nevertheless, in spite of, despite, of course, once in a while, sometimes.
“Advocates of corporate tax incentives cite increased jobs in rural areas as an offset; still, is that sufficient justification for removing their financial responsibilities?
To show time: immediately, thereafter, soon, after a while, finally, then, later, previously, formerly, first (second, etc.), next, and then.
“First, the family suffered a devastating house fire that left them without any possessions, and soon thereafter learned that their passage to the New World had been revoked due to a clerical error.”
To summarize or indicate repetition: in brief, as I have said, as I have noted, as has been noted, as we have seen, to summarize.
“We have seen, then, that not only are rising temperatures and increased weather anomalies correlated with an increase in food and water shortages, but animal-migration patterns, too, appear to be affected.”
To indicate emphasis: definitely, extremely, obviously, in fact, indeed, in any case, absolutely, positively, naturally, surprisingly, notwithstanding, only, still, it cannot be denied.
“Obviously, such a highly skilled architect would not usually be inclined to give his services away, and yet this man volunteered his services over and again to projects that paid him only through appreciation.”
To indicate sequence: first, second, third, and so forth, next, then, following this, at this time, now, at this point, after, afterward, subsequently, finally, consequently, previously, before this, simultaneously, concurrently.
“So, finally, the author offers one last hint about the story’s true subject: the wistful description of the mountains in the distance.”
To indicate an example: for example, for instance, in this case, in another case, on this occasion, in this situation, take the case of, to demonstrate, to illustrate, consider.
“Take, for example, the famous huckster P. T. Barnum, whose reputation as ‘The Prince of Humbugs’ belied his love and support of the finer things of life, like opera.”
To qualify a statement: under no circumstances, mainly, generally, predominantly, usually, the majority, most of, almost all, a number of, some, a few, a little, fairly, very, quite, rather, almost.
“Generally, we can assume that this statement has merit, but in this specific case, it behooves us to dig deeper.”
The transition of the sun
Transition words and phrases are used to make the shift from one idea to the next as smooth and seamless as the arc of the sun over the earth.
7.3: Keeping Your Writing Engaging
7.3.1: Varying Your Sentence Structure and Vocabulary
Effective writing includes variation of sentence structure, vocabulary, and other elements to keep the reader interested and engaged with the argument.
Learning Objective
Use varied sentence structure
Key Points
- The tone, voice, and style of your writing are as important as the details you provide to support a thesis.
- Papers will be boring for the reader if every sentence uses the same structure. Some of the best ways to vary sentence format are by adding and rearranging clauses.
- Sentence length, sentence structure, sentence type, tone, vocabulary, transition words, and types of evidence can all be varied
so that your argument is more convincing and your points
more compelling to the reader.
Key Terms
- tone
-
The manner in which speech or writing is expressed.
- clause
-
The smallest grammatical unit that can express a complete proposition.
Argumentation isn’t just about what you say but how you say it. Even the most solid argument won’t get far with a reader if the text isn’t engaging. But how do we do that?
Perhaps the biggest secret to creating captivating writing is variation. Without it, your reader might fall asleep from boredom.
If you’ve ever been in a vibrant debate with someone you respected about beliefs you hold dear, you have a sense of just the kind of life we want to capture when we’re writing. Learning, debating ideas, digging for the truth: these things are all fun! No need for “anyone” to be drooling on his desk.
If variation is key, what can we vary? We’ve discussed the importance of structure. Readers need to depend on the paper’s structure to be able to follow the argument. The introduction, conclusion, body paragraphs with topic sentences and transitions are all essential. Within the structure, however, you can vary the following:
- sentence length
- sentence structure
- sentence type
- tone
- vocabulary
- transition words and categories
- types of evidence
You’ll want to have reasons for the choices you make. Adding random rhetorical questions will sound strange, but if you ask the right question at the right time, it will make the reader think. The same will be true of all variation. There must be a good reason to choose a particular sentence structure or a new type of evidence.
There are no codified rules on how to vary sentence structure, nor are there lists of all the different types of phrasing you can use. The English language allows for so much flexibility that such a list would be never-ending. However, there are some aspects of writing that you should consider when looking for different sentence formats.
Clauses: The easiest way to vary sentence length and structure is with clauses. Multi-clause sentences can connect related ideas, provide additional detail, and vary the pattern of your language.
Length: Longer sentences are better suited for expressing complex thoughts. Shorter sentences, in contrast, are useful when you want to emphasize a concise point. Clauses can vary in length, too.
Interrogatives: When used sparingly, questions can catch your reader’s attention. They also implicate your reader as a participant in your argument by asking them to think about how they would answer the question.
Tone: If you really want a sentence to stand out, you can change the tone of your writing. Using different tones can catch the reader’s attention and liven up your work. That means you can be playful with your reader at times, sound demanding at times, and cultivate empathy when that feels appropriate. Be careful that the tone you choose is appropriate for the subject matter.
Syntax variation cultivates interest. Start playing with structure. Try changing a sentence’s language to make it sound different from the ones around it.
Syntactical Variation
Here is an example of what a paragraph with a repetitive syntax can sound like:
“Looking Backward was popular in the late nineteenth century. Middle-class Americans liked its vision of society. The vision appealed to their consumption habits. Also, they liked the possibility of not being bothered by the poor.”
Choppy? Uninteresting? Here’s the rewritten version, with attention paid to sentence variation:
“The popularity of Looking Backward among middle-class Americans in the late nineteenth century can be traced to its vision of society. The novel presents a society that easily dispels the nuisance of poverty and working-class strife while maintaining the pleasure of middle-class consumptive habits.”
What’s different here? The rewrite simply combines the
first two and the last two sentences and adds a bit of variation in vocabulary, but the difference is powerful. Of course, if all the sentences were compound like these,
the paper would begin to sound either pretentious or exhausting. If this were your paper, you might want to make the next sentence a
short one and get to your thesis statement soon.
Varying Vocabulary
One way to avoid appearing overly repetitive is to consult a thesaurus and use synonyms. However, when using synonyms, you should make sure that the word you choose means exactly what you think it means. (“Penultimate,” for example, does not mean “the highest,”
and there’s a difference between “elicit” and “illicit.”)
Check the connotations of synonyms
by looking up their definitions.
Varying Transitions, Signal Words, Pointing Words, and
Pronouns
Writers who are familiar with their own habits will sometimes research a word or phrase they typically overuse (“however,” “that said,” “moreover”)
and replace some of those words with another transition, or they might rework a sentence to avoid
using any transition words in that spot if they feel they’re overdoing it. Nouns, too, often get overused when pronouns
would sound more natural. Don’t worry
about this too much in the writing phase. You just want to get your thoughts on
the page. But as you revise, keep an eye
out for repetition and switch things up a bit to keep your paper
interesting.
Introducing variation benefits not only your reader but also you, the writer. Conceiving of different ways to communicate essential elements of your argument will allow you to revisit what makes these elements essential and to consider the central argument you are making. Each variation is a chance to introduce nuance into your writing while driving your point home. However, variation should never be your main goal—don’t sacrifice audience comprehension to achieve stylistic virtuosity. You’ll just sound silly. The argument is the point.
Engaging your reader in different ways
Vary the types of sentences you use to keep your paper interesting.